Toothpaste on Toast https://validator.w3.org/feed/docs/rss2.html ‘Hooray for Hollywood’ at the Ustinov Studio review – ‘a testament to genuine passion for the form’ ‘The Last Five Years’ at the Ustinov Studio review – ‘transcendent and beautiful’ Josie Long: Now Is The Time of Monsters review – ‘endearingly intimate and vigorously potent’ ‘Second Summer of Love,’ by Emmy Happisburgh review: ‘anchored by vitality and charisma’ ‘This Is Your Musical’ ft. Chris Grace at The Bristol Improv Theatre review – ‘relentlessly good fun’ Just The Two Of Us at Cellar Pleasance Courtyard – ‘radiant chemistry and charisma’ Chris Grace: Sardines at The Wardrobe Theatre review – ‘beautifully profound and touching’ Helen Bauer: Bless Her review – ‘effortless charisma and magnetism’ Julie Masli: ha ha ha ha ha ha ha review – ‘enigmatic charisma’ Alice Cockayne: Licensed. Professional. Qualified. Trained at Pleasance Courtyard – ‘a surreal dream’ Alice-India: See You In Hell at Underbelly Bristo Square review – ‘casual, fun and effortless’ Laura Davis: Despair Is Beneath Us at Monkey Barrel review – ‘whimsical and brilliant’ Ozzy Algar: Speed Queen at Cellar Pleasance Courtyard review – ‘Algar is dynamite’ Kathy Maniura: Cycling Man at Attic Pleasance Courtyard – ‘incredibly vivid and deeply silly’ Review: ‘Moulin Rouge’ at the Piccadilly Theatre – ‘vibrant and bonkers’ A few years out: was university the right decision? About Review: ‘Groundhog Day’ at the Old Vic – ‘brilliantly realised’ Blog Interview with ‘Second Summer of Love’ writer and performer Emmy Habbisburgh ‘Have I Got News For You’: Why have there really been so few female politician hosts? Waiting to be crowned: ‘The Crown’ Season Five Review: ‘Why Are You Laughing?’ at the Alma Tavern – ‘sardonic and weary’ Review: ‘Nish Don’t Kill My Vibe’ at the Bristol Beacon – ‘exhaustingly funny onslaught of rage’ ‘The Devil Wears Prada’ sequel announced ‘Wicked’ review: ‘an interesting riff on a stage classic’ Review: ‘The Devil Wears Prada’ at the Dominion Theatre – ‘fun and flashy but ultimately disappointing’ Review: Melanie Bracewell at the Hen & Chicken – ‘inventive, solid gags and big laughs’ ‘Kool Story Bro’ at the Bristol Old Vic review: ‘a glut of talent and skill’ ‘Pull My Goldfinger’ at the Alma Tavern review: ‘some genuinely inventive moments’ ‘Ewins Some You Lose Some’ at the Wells Comedy Festival review – ‘brilliantly specific and immediately funny’ ‘Fella: show us ur fruitcake’ at The Alma Tavern review: ‘endearingly giggly and chaotic’ ‘The Arms’ at the Alma Tavern review – ‘an intriguing and inventive show’ ‘I Met All My Friends on Dating Apps’ at the Alma Tavern review – ‘touchingly sincere and wholesome’ Review: ‘Starter for Ten’ at the Bristol Old Vic – ‘enormous amounts of talent [but] needs tightening up’ Review: ‘Two Strangers Carry A Cake Across New York’ at the Criterion Theatre – ‘tender and vivid’ Review – ‘Chris Fleming Live: On Stage’ at the Leicester Square Theatre – ‘hilariously, relentlessly funny’ Review: ‘A Chorus Line’ at Sadler’s Wells Theatre’ – ‘a feast of classic songs and pure talent’ Review: ‘I Gave You Milk to Drink’ at the Bristol Old Vic – ‘knowing wit and cynicism’ Contact Review: Community Zoom Reunion Table Read